Dance on the Graves: A Celebration of & a Tribute to Sentenced – The Circus, Helsinki – January 10, 2015

When Crimson came out fifteen years ago, I was a clueless pre-teen living in the backwoods of Lehmijärvi, only starting to take my first dips into the vast dark pool of heavy metal music. Being at an impressionable age, heavy consumption of the album – along with the cover-seasoned reissue of Frozen and the Greatest Kills compilation – served as my gateway into Sentenced’s funereal world. The last two albums that followed didn’t hinder my enthusiasm either, and further explorations into the band’s earlier works kept them in regular rotation even during times when I could hardly be bothered with much else than black and death metal.

Traveling out of town for a gig – let alone a festival – didn’t feel like a simple task for a minor small-towner, so when the Northernmost Killers lowered their coffin into the frozen ground with the extensive Funeral Tour in 2005, I somehow managed to let it pass me by. Talk about (guilt and) regret! Seeing the Sentenced cover band Forever One at Nummirock ’07 and ’09 was about as good a substitute as I could imagine, as those Southern Ostrobothnians nailed the sound of the originals in a stunning fashion. It’s too bad that they apparently called it quits as well a few years later, but I guess that makes my two encounters with them seem all the more special in retrospect, and merely milking a tribute band concept for years on end would seem somewhat cheap from a group of skilled musicians anyway.

So, with close to a decade having passed since Sentenced’s last appearance on stage, I warmly welcomed another opportunity to hear their everdying tunes live at the release party of Matti Riekki’s (mostly known as the editor-in-chief of Inferno Magazine) brand new biographical book Täältä pohjoiseen: Sentencedin tarina, as the event date was announced in late 2014. Despite the first given details being quite vague, I knew it wasn’t going to be a reunion, with my trust in the integrity and honesty of Sentenced being too firm to think that they would betray themselves and their followers by digging up the corpse after having already given it the most proper burial. As more specs surfaced, it was revealed that some of the band members would be climbing onto the stage, but only for an interview, followed by a lengthy tribute spectacle from a specifically assembled line-up of rising talents from the Finnish metal underground. Now this was starting to sound like a night I couldn’t afford to miss. Read the rest of this entry »

Borknagar, Shade Empire & Atena – Nosturi, Helsinki – November 29, 2014

Arriving at Nosturi some twenty minutes before the beginning of the show, the room was cold and quite empty. Coming from France, that’s quite a cultural difference which never ceases to amaze me, since people usually start queuing some hours before doors open there.

Still, Atena would have deserved a warmer reception given the performance they offered. The bassist and guitar player entered the stage with long strides, the latter holding an instrument with an insane amount of strings (I counted eight of them). Always moving in exaggerated motions, it felt like they were inhabited by some kind of malicious spirit during the whole show. Read the rest of this entry »

Til Dovre Faller Metal Fest – Dombås Hotell, Dombås, Norway – September 19–20, 2014

While the third Thursday of September saw most gig-hunting Nordic numskulls pack themselves into Close-Up Båten to sail between Sweden and Finland along with Bolt Thrower, Katatonia et al, our compass was pointing at Norway instead. Since our first Til Dovre Faller experience in 2012, a September visit to the land of expensive beer and jaw-dropping natural scenery has become a cherished Enslain tradition, thanks to the fest’s reliably intriguing band roster, uniquely gorgeous and cozy setting, and the welcoming and friendly atmosphere among the annually returning crusaders that we feel proud to have become a part of. Read the rest of this entry »

Dark River Festival – Honkala Biathlon Stadium, Kotka – August 15–16, 2014

Our excursions to Dark River’s one-day wintry offshoot Dark Winter Festival and the main summer shindig in 2008 had been unforgettable experiences, and not just because of the hilarious inebriated mishaps that took place, but largely thanks to the festivals’ weird yet cozy setting and laid-back atmosphere. We vowed to return, but with Dark Winter seeming to have skipped the last couple of years, and Dark River consistently managing to overlap with our other festival plans, it took six whole years for us to find the right time to come back. The line-up wasn’t the deal-breaker, being a similar mixed bag of nationally recognized quality and local talent as on previous years, but getting to take another bite of this quaint little event while spending time with some rarely seen friends from the area just sounded like the most fitting way to finish off the Finnish festival summer. Read the rest of this entry »

Jalometalli Metal Music Festival – Raksila, Oulu – August 8–9, 2014

Having served as the arena for eight summers of noble Northern metal mania, the Club Teatria building inevitably fell under the demolition hammer in early 2014, forcing the festival to look for a new home. Luckily one was found slightly closer to the city center, as this year saw Jalometalli debut the sport-concentrated Ouluhalli area. The line-up had also been put together upholding the sterling standards we’ve grown to rely on – with the reunited Dark Angel shining as the brightest gem in the crown, next to stellar live acts such as King Diamond and Triptykon, as well as a fair amount of other solid metal matter – and so the second weekend of August was welcomed with the expectation for a fistful of killer gigs, enjoyed among the most passionate headbangers. Read the rest of this entry »

Triptykon: Melana Chasmata

Posted: 30th August 2014 by Tommi Ilmanen in Other, Reviews
Tags: , , , ,

Triptykon
Melana Chasmata
Century Media

cover-Triptykon-MC

For the past couple of months, I’ve really been trying to write this review, but all past efforts weren’t nearly enough to make me satisfied. I’ve already lost count how many times I’ve erased everything already written and started from scratch, just to find myself bashing my head into a wall named Melana Chasmata. Seriously, it feels like this damn album doesn’t even want to be written about! It’s like a slippery piece of soap falling from your hands while taking a shower, and after you’ve picked it up again thinking you can handle it, that bastard falls again, and again, and again, and again. I’ve got to admit, there’s been moments of disbelief when I wanted to give up and just let this review go. Why bother, as there are tons of other records to talk about.

Well, because that is NOT how we roll around here. If I’m going to start something, you can bet your ass that particular something will be finished. So let’s do this! I will not submit to you, Melana Chasmata! Read the rest of this entry »

Tuska Open Air Metal Festival – Suvilahti, Helsinki – June 27–29, 2014

With frantic festival fun at Steelfest, Maryland Deathfest and Kilkim Žaibu having already given our summer a busier start than might be healthy for the body or the mind, Tuska managed to sort of sneak up on us. Despite still feeling weary after our travels, there was no postponing Helsinki’s heaviest weekend of the year, filled with metal, mates, malts and madness. While the line-up of the 2014 edition didn’t come with a promise of erection-inducing exclusivities or first-time fantasmos for me, it still held several familiarly solid names from Finland and abroad, some more rarely seen acts, and a few touches of exotica, adding up to a varied platter of extreme music that I didn’t have to send back to the kitchen. Read the rest of this entry »

Steelfest Open Air – Villatehdas, Hyvinkää – May 16–17, 2014

Festival summer 2014 commenced with the third public edition of Steelfest, an extreme metal gathering that originally started as an insider event of mere locals, but took the leap towards the big boys’ league in 2012, and has since become an underground force to be reckoned with.  Especially now in the absence of Hammer Open Air, Steelfest’s line-up revolving strictly around different variants of black and death metal branded them as an integral player on the field of Finnish summer festivals, proudly standing separate from the grey mass of more mainstream-oriented events.  While their roster was again a fine representation of the different shades of dark, there was a shortage of pure thrash this time, but it seemed like even the narrower spectrum had enough draw, as Tiketti’s website was showing the “yellow light” on the tickets already a few weeks before the D-day. Read the rest of this entry »

Edguy: Space Police – Defenders of the Crown

Posted: 15th May 2014 by Tommi Ilmanen in Other, Reviews
Tags: , , ,

Edguy
Space Police – Defenders of the Crown
Nuclear Blast, 2014

The undisputed fact is that power metal, or any of its subordinate genres, isn’t even close to my favorite style of music. Actually, I’d state that it’s generally speaking one of those genres that tend to nauseate me when making its way to my consciousness through my ears’ auditory canals. But still there are some exceptions that confirm this rule, and Edguy is one of those special cases. Seriously, this goofy German group of five has always had a certain place in my heart. Read the rest of this entry »

Teitanblood: Death

Posted: 18th April 2014 by Tommi Ilmanen in Other, Reviews
Tags: , , ,

Teitanblood
Death
Norma Evangelium Diaboli, 2014

cover-Teitanblood-Death

For those who aren’t acquainted with this Spanish group, they play putrid and uncompromising old-school death metal at its finest with hints of other extreme forms of metal. Their music is heavily based on brutal, low-key riffs with even lower tuning, accompanied by manic and primitive drumming. On rare occasions, this sepulchral pummeling is interrupted by rather unmusical guitar solos that fancy insane shredding, arpeggios and whammy-bar abusing (Slayer, anyone!?). The vocals are mainly grunting and growling as if delivered from beyond the living world, and with no clear rhythmic patterns or arrangements, as they are presented more like frenzied bursts of phrases or haunting devilish praise. Add to these factors that the songs themselves are erratic and illogically built harvesters of Chaos without any regular structures, and you’re really starting to feel like you’re embarking on a seriously dangerous trip when experiencing Death. Read the rest of this entry »